![]() ![]() As their titles and components suggest, these arrangements combine strikingly unexpected variations on religious iconography with investigations of phenomenological and psychological facts and events. In addition, on view are complex tableaux such as The Pursuit of Oblivion (2004), in which animal carcasses are joined by other objects, including knives and a chain mail glove. ![]() This exhibition, which features works spanning thirty years, gathers many of these works together for the first time.īeginning with The Impossible Lovers (1991), a cabinet filled with glass jars containing preserved cow’s organs, Natural History also includes works incorporating sheep (I Am ), fish (Saint Philip and Love Is Blind ), calves (Cain and Abel and The Ascension ), and, of course, sharks (Myth Explored, Explained, Exploded , among others). His ongoing drive to bridge the gap between art and science, the Natural History series includes a variety of preserved animals, such as sheep, doves, a zebra, and even a “unicorn”-some of which are bisected, sliced into cross-sections, or flayed. The show-part of Hirst’s takeover of the Britannia Street gallery-will survey more than twenty of the most iconic examples, dating from 1991 to 2021.Įver since he first exploded into the public consciousness in 1991 with The Physical Impossibility of Death in the Mind of Someone Living, a fourteen-foot tiger shark preserved in a tank of formaldehyde, Hirst has used the naturally occurring compound in many of his best-known works. Gagosian is pleased to present Natural History, the first-ever exhibition dedicated to Damien Hirst’s groundbreaking works employing formaldehyde. ![]() “I wanted a shark that’s big enough to eat you and in a large enough amount of liquid so that you could imagine you were in there with it” – Damien Hirst ![]()
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